12/30/2023 0 Comments Keep your hands off eizouken roblox id![]() ![]() Really, none of them are equipped to make a new song, and they have no time to re-animate it. It’s clever little things like this that make me love Eizouken.įinally we have the newest problem for our crew, and it’s one I have no idea how to fix. ![]() Resulting in a whole new environment, even though it’s the same, just from a different angle. Or how they just flip the same interrogation room from the humans. For instance when Asakusa thinks up just changing the colors on Kappa, adding a cup onto the existing models. All the while Eizouken is still managing to fit in these little tidbits of animation knowledge. Eizouken really manages to fit everything from the last few episodes together and its rather impressive. What with the kappa’s, the water, the floods and the bell. I liked how it fit in everything about the region though, really fitting it to their client. This is clearly their most ambitious project yet, with its larger scale, environments, story and character animation. Speaking of that final animation, I am really curious how it turns out. And all of this would be fine and dandy, nothing more, if it weren’t for how it lead into Eizouken’s final animation. It’s all a very clear example of coexistence, presented within the confines of our leads relationship. Eizouken also shows this when Asakusa calls Kanamori a thug based on her first impressions, without knowing who she really is. But to Kanamori they are money, while to the shopkeeper they are a commodity. To Asakusa they are just leaves, nothing more. This is most directly done via the leaves that Kanamori has them gather. Yet it’s in the flashback with Kanamori that we see it expanded upon. We saw it a bit in the opening section with Asakusa, this question of “enemies” and perspective. What I really loved about the flashback though was how it built on the secondary theme, perspective. Doing her best to hold on to the one new connection she had, taking that leap. Having Kanamori be the one to initiate the relationship while Asakusa was the one desperately clinging to it. I really liked though how Eizouken managed to build on both of them in this segment. Kanamori is a bit more blunt about it of course, calling it a business transaction. Asakusa spells it out for us from the beginning, how they help and support each other. Once again, how this fits into the greater theme of the episode is obvious. Though this time instead of being a solo-piece it’s about how she met Asakusa, why they hang out. Meanwhile Eizouken gave us even more Kanamori backstory, and I loved it. Even a job you love can eventually become tedious if it’s all you do, afterall. How work and play must come in equal measure, both so you don’t get burned out, but also to help inspire you. Here though Eizouken is showing instead how he has balanced his life. Prior to this, he always came off as a tad lazy or uninterested when he appeared. My favorite bit of it though was the professor and his focus on fun. Questioning what exactly an “enemy” is, both in the context of her animated work and in the larger world. As throughout the episode we see Asakusa waxing philosophical, experiencing and exploring her surroundings. How it fits into the greater theme of coexistence is obvious from the start. The first big one is of course Asakusa, the value of play, and how it fits into work. As the episode went on though and it revealed more and more of the primary thread, I came to love it. Which while it would still contain Eizouken’s usual quality, wouldn’t be particularly memorable. I thought it was going to be another sort of montage filler episode. I will admit, at the beginning of the episode I wasn’t to enthused. Each one managing to both explore the characters while still building to a final peak. The idea of “Coexistence” was tackled from a variety of angles, from more professional ones in their club to the person in Asakusa’s flashback. However while the theme itself might not be particularly complicated, I think Eizouken did a great job portraying it. Focusing in on a specific theme and tackling it from a variety of angles. Starting off, this was a pretty straightforward week for Eizouken. Lets dive in! And I promise, no more late ones, I should have things sorted now. Continuing my streak of “better late than never” this week, we have Keep Your Hands off Eizouken! Though this time with backstory, some dancing and more great Kanamori scenes.
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